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Ceremonial
Robes and Regalia

Lituya
Bay robe in front center, Shelly Laws' Chilkat robe (left),
and Earthquake robe (right). Photo by Chris Arend
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The Raven's Tail weaving is beginning to dance again! Existing
only in remote corners of Museums around the
world, this textile weaving was known as "Northern Geometric Weaving"
not only was it found in the territory of the Tlingit, but only in the
northern regions of these peoples... It was probably not woven on this
coast since the 1600's or 1700's. There are drawings by various explorers
showing these robes, and several descriptions of both Men and Women, wearing
"tasseled sashes of a very finely woven wool..."
Read about the Earthquake Robe (pictured right) in the Sitka
Weekend.
The regalia woven in the Chilkat style weaving is still practiced by a
dedicated few, while the Raven's Tail which predated the Chilkat weaving
was inactive for many generations of weavers. In 1989 Cheryl Samuel, after
dedicating several years of her life to researching this ancient, mostly
lost art, began teaching Raven's Tail classes across the region of Southeast
Alaska, where these robes were originally woven. Cheryl returned the weaving
of our Grandmothers to us. I attended a couple of Cheryl's classes, and
am forever grateful for the gifts and knowledge she shared. She also gave
it the name "Raven's Tail" perhaps in recognition of the long dark tassels
that drape the dancer in movement. It certainly is a more artistic name
than "Northern Geometric." It may one day have a Tlingit name
again, to avoid controversy of ownership that goes with crest references
such as Wolf, Raven, etc., but until that time I use the name Raven's
Tail in light of the original inspiration.
Raven's Tail weaving describes the traditional technique I use to create
these pieces. It is not done on a loom, there is no tension or weight
on the warps. (the wool that hangs down) It is all done with 2 and 3 strand
twinning, common in basketry. I weave from left to right with a twist
between every two warp. On a robe it takes me on the average 1 hour per
row. The robes take from 600 hours to 2000... depending on design and
size of weaving.
There are only a few old Raven's Tail robes in museums andvery few new
ones being woven. The robes I weave tell stories just as the totems. The
robe holds symbols that tell a story. Some of the other woven regalia
are: Waist Robes (skirt) worn around the waist trimmed with deer toes
for sound. Dance Bags worn over the shoulder, hanging at the hip. The
bags are many times worn over both hips. Leggings for your lower leg,
also trimmed with deer toes for additional sound. I weave a few contemporary
pieces of regalia, and see other more modern weavings worn by contemporary
natives. I like the definition of Contemporary = Alive... Raven's tail
is by far the most popular medium I weave in for the Museums and Public
Forum, because of it's unique journey . I have weavings in Museums, and
Educational facilities around the country and, most exciting for me, here
in Alaska.
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Web site ©copyright 2002-2007 by Teri Rofkar
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This site was created to share information about Alaskan Native arts and artists,
Alaskan Native basketry and basketweaving, Ravenstail weaving, Northwest Coast
spruce root baskets, Northwest Coast cedar bark baskets, pine needle basketry,
American Indian crafts, and the work of Tlingit Indian artist Teri Rofkar from
Southeast Alaska. Please feel free to print out any of the information on this
web site for your personal use. We welcome links to Teri's web site.
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